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Fired up to 1000°C, cool to 750°C, remove from kiln. Put ion combustable such as sawdust. Allow to cool. Wash in water to encourage crazing Raku Firing Tips Raku glazes should be fired up to 1000°C in either an electric or gas kiln. They they should be allowed to cool in the kiln to 750°C. While still red hot they should be transferred as quickly as possible into a reduction bin...

Fired up to 1000°C, cool to 750°C, remove from kiln. Put ion combustable such as sawdust. Allow to cool. Wash in water to encourage crazing Raku Firing Tips Raku glazes should be fired up to 1000°C in either an electric or gas kiln. They they should be allowed to cool in the kiln to 750°C. While still red hot they should be transferred as quickly as possible into a reduction bin...

Fired up to 1000°C, cool to 750°C, remove from kiln. Put in combustable such as sawdust. Allow to cool. Wash in water to encourage crazing Raku Firing Tips Raku glazes should be fired up to 1000°C in either an electric or gas kiln. They they should be allowed to cool in the kiln to 750°C. While still red hot they should be transferred as quickly as possible into a reduction bin...

Fired up to 1000°C, cool to 750°C, remove from kiln. Put in combustable such as sawdust. Allow to cool. Wash in water to encourage crazing Raku Firing Tips Raku glazes should be fired up to 1000°C in either an electric or gas kiln. They they should be allowed to cool in the kiln to 750°C. While still red hot they should be transferred as quickly as possible into a reduction bin...

Sydney Heath

5.5cm x 3cm These wooden printing blocks are hand carved in India by skilled craftsmen using traditional techniques. They are made from Sheesham wood which is golden brown to deep brown in colour with darker streaks that give the wood an attractive appearance. After finishing each piece is dipped in white paint to prove the design – this is the pattern you can see on the block. Using and...

4cm x 4cm These wooden printing blocks are hand carved in India by skilled craftsmen using traditional techniques. They are made from Sheesham wood which is golden brown to deep brown in colour with darker streaks that give the wood an attractive appearance. After finishing each piece is dipped in white paint to prove the design – this is the pattern you can see on the block. Using and...

3cm Wide These wooden printing blocks are hand carved in India by skilled craftsmen using traditional techniques. They are made from Sheesham wood which is golden brown to deep brown in colour with darker streaks that give the wood an attractive appearance. After finishing each piece is dipped in white paint to prove the design – this is the pattern you can see on the block. Using and Caring...

3.5cm x 2.5cm x 3.4cm deep These wooden printing blocks are hand carved in India by skilled craftsmen using traditional techniques. They are made from Sheesham wood which is golden brown to deep brown in colour with darker streaks that give the wood an attractive appearance. After finishing each piece is dipped in white paint to prove the design – this is the pattern you can see on the block. Using...

Shiny Firing Range 1250°C - 1280°C Supplied in liquid brush on form. Stir glaze thoroughly as glaze may settle. Brush glaze using a flat well loaded brush, apply 2 to 3 even coats of glaze in different directions, one after the other. Our popular range of brush on glazes were developed by Mike Bailey, a co-founder of Bath Potters, and have been tried and tested over four decades...

Limited stock, when it's gone, it's gone! Very Matt Firing Range 1250°C - 1280°C Supplied in liquid brush on form. Stir glaze thoroughly as glaze may settle. Brush glaze using a flat well loaded brush, apply 2 to 3 even coats of glaze in different directions, one after the other. Our popular range of brush on glazes were developed by Mike Bailey, a co-founder of Bath Potters,...

These chun-type glazes produce many beautiful effects, particularly when used over our chun base. Apply the chun base glaze P2563 fairly thinly. Before bone dry, dip into the appropriate chun glaze. Double dipping the top part of the pots again in the chun glaze can produce interesting variations. Adding Calcium Chloride provides better suspension of chuns and gives better dipping control. By nature...